AlbumRelease date:
03.05.2019
Federico Albanese
The Twelve
"The Twelve" is a soundtrack, but it also is an album very much in its own right, with tracks that stand on their own, "It tells the story of [..] twelve people even without you seeing the film" explains Federico Albanese. The pieces invoke feelings of meditation and anticipation that convey a wonderful sense of storytelling, and hearing about Albanese's inspiration for these only strengthens their narrative. Take "The Stars We Follow", a piece as gentle and contemplative as it is powerful. The track was inspired by Japanese master Aoki Hiroyuki and the special practice he developed in order to connect to nature, "It's something between a martial art and a dance. At some point Lucy sent me a short clip where they do a session of this on a beach, and I thought somehow the movements were like chasing stars," explains Albanese, "as well as the general idea of all these elders travelling, and following their own ideas and stars and trying to communicate them with the world." The wonderfully comforting piece "North Variation"was inspired by Master Lyudmila Khomovna, one of the last people of Uilta decent living in a remote island in Siberia, "She is a very particular person, and profoundly elder, a very wise person. I was having this idea in mind of something set in a very cold place but with a deep warmth within," says Albanese. "The Twelve" cemented Federico Albanese’s abilities to work outside his comfort zone. Being simultaneously able to adapt to the collaborative efforts of filmmaking while following his own internal creative process, his album demonstrates the added value of organic partnerships between artists, "I would say cinema is my second love besides music. I'm probably not the kind of person who is willing to write music for anything, I am happy to pledge to a project when I can see there is something I can give to it."
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Federico Albanese
Federico Albanese combines within his compositions minimalistic piano melodies, string arrangements and electronica. With his music the Berliner-by-choice, who was born in 1982, takes his audience in cinematic worlds of different sounds, which are based on elements of classic, pop and ambient music. The diverse musical influences in his compositions also reflect his great passion to music.
In his childhood Federico practiced the piano and clarinet, whereas as an adolescent he focused on playing the guitar, with which he could establish as a leading protagonist in the underground scene of Milan after studying contrabass. In 2007 he founded the avant-garde-duo "La Blanche Alchimie" with his girlfriend, the singer-songwriter Jessica Einaudi. With this duo he released three albums, could reach international attention and prospered. Also as a composer for advertisements, film and television he could achieve a major success. His scores got used for example in the international film production "Shadows In The Distance" (2012), "Alles im grünen Bereich" (2014) or the documentary "Cinema Perverso" (2015) of the television broadcaster ARTE.
Federico’s debut album as an solo-pianist got released in 2014, titled as "The Houseboat and the Moon". In his new release "The Blue Hour" in 2016 he presents crisp, very dynamic and complexly arranged compositions.
Photo: Beniamino Barrese
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