Albumcover GaiaAlbumRelease date:
13.11.2020

Henning Fuchs

Gaia

Despite the clear dramaturgy, GAIA is not just the soundtrack of a story. The actual creation and development of the album, its recording process and all the collaborations associated with it are themselves symbolic of the themes of transformation, diversity and cooperation reflected in the evolution of the earth. " In the beginning I had a clear concept in mind, but it changed, like the earth itself. It has disintegrated and something new has emerged from it. It is always developing," says Henning. Giving the musicians space and freedom to get involved in the music also meant that the pieces grew and developed organically through their own logic: "The choice of musicians was really very important and it was crucial that they felt comfortable with what they were doing rather than just playing what I had written," says Henning, who brought together a number of well-known musicians and an impressive array of instruments from around the world for the project. GAIA includes the Chinese musician Guo Gan with the Erhu and Zhonghu, the Spaniard Julián Olivares with flamenco guitar and Charango, the German David Kuckhermann with hand pans, Udu and other percussion instruments, the Icelandic violinist Elfa Run Kristinsdottir and the Bulgarian Voices Berlin Choir. "I wanted to bring together cultural elements from all over the world using down-to-earth elements and sounds." GAIA is Henning Fuchs' attempt to capture the wild diversity and the constant urge for change of the earth acoustically. Both stylistically and instrumental, he has succeeded in writing world music in the truest sense of the word. For someone who has spent most of his career working on film music, it is not surprising to compose music of visual and cinematic quality. Like every atom, being and system in the earth itself, every track, every instrument and every arrangement pulsates before life.

Videos

Artist

Henning Fuchs

Henning Fuchs

Henning Fuchs is composer, performer and multi-instrumentalist. As bandleader and lead singer of various bands he started writing songs at the age of 14. Always looking for new styles he crosses borders between jazz, funk, punk, folk, classic, avant-garde and electronics.

After graduating at Sir Paul McCartney's Liverpool Institute for Performing Arts Henning moved to Berlin. In the midst of Berlin's creative art scene he soon started writing for bands, ensembles, contemporary dance and film.

Henning Fuchs’ work includes concert music, film scoring, songwriting and various album productions. His songs and instrumental compositions have been nominated and awarded many times and embrace a wide range of styles and genres. Henning collaborates with various artists from all over the world. 2015 he performed with the orchestra of the composers' association of the Sverdlovsk region (Urals) at the Gala event for the 10th anniversary of the German Consulate General in Yekatarinburg, Russia.

Between 2012-16 Henning worked closely with Max Richter on film, album and dance related projects, including Wayne McGregor’s "Woolf Works" at the Royal Opera House London. Henning also collaborated with artists such as Alexandre Desplat on Wim Winders "Everything will be fine", Dan Mangan & Jesse Zubot on Peter Chelsom’s "Hector and the search for happiness" or Karsten Fundal on Ai Weiwei’s "Human Flow".

Henning received a Diploma as "Film Composer" at the Film University Babelsberg "Konrad Wolf" and a Bachelor’s Degree of Arts with Honours, Class I, in Performing Arts (Music) at Sir Paul McCartney’s Liverpool Institute for Performing Arts. He also initiated an exchange program with the Royal College of Music London and took masterclasses with renowned film composers such as Patrick Doyle, Howard Shore and Michael Giacchino.

Photo: Tobias Bohm

More releases


www.neue-meister-music.com