Album ImageAlbumRelease date:
03.03.2017

Federico Albanese, Matthew Herbert, Francesco Tristano, Deutsches Kammerorchester Berlin, Pascal Schumacher, Lydia Brotherton, Fabian Russ, David Panzl, Jacques Ammon, Alon Sariel

Neue Meister Live in Berlin

In 2016, Neue Meister organized three concerts together with the Deutsches Kammerorchester Berlin and the DRIVE. Volkswagen Group Forum in Berlin for three concerts. On the occasion of these concerts, top international composers from completely different backgrounds came together for a joint task: each was to compose or arrange a new work for orchestra. The double album “Neue Meister Live in Berlin” brings together all of these works and presents a unique cross-section of the current spectrum of compositional creativity worldwide. The three Neue Meister concerts were always dedicated to a specific musical theme. The first concert, which took place on 29.02.2016, was dedicated to the broad musical creativity in Berlin - an international hotspot for composers of the younger generation. Federico Albanese, Johannes Motschmann, Paul Frick, Fabian Russ and Henrik Schwarz arranged or composed new works for this concert. The musical spectrum ranges from the almost neo-romantic orchestrated piano piece by Albanese to the “orchestronic” bombast of Fabian Russ. In contrast, the famous DJ and producer Henrik Schwarz presents a completely acoustic work for orchestra and Paul Frick - known for Brandt Brauer Frick - also uses only acoustic elements, with Johannes Motschmann seeking to combine synthesizer and orchestra. The second concert on 19.06.2016 took place under the motto “Crossing Borders” and brought together composers whose music combines influences from different cultures or genres. The works by Gilad Hochman and Matthew Herbert were written or produced for this concert. Hochman's work Nedudim (Wandering) also deals with his life between Israel and Berlin from a historical perspective. Herbert has created a musical critique of society and a commentary on the refugee crisis with live samples. At the “Driven by Inspiration” concert on 6.11.2016, all participating composers explored “old masters” and their role models. British composer Ben Palmer wrote his work “Bach Dreams” for this, while Francesco Tristano was inspired by the minimalist structures of Detroit techno in Neihou. The Neue Meister concert series at the Drive. Volkswagen Group Forum with the German Chamber Orchestra Berlin continues in 2017.

Federico AlbaneseMatthew HerbertFrancesco TristanoDeutsches Kammerorchester BerlinPascal SchumacherFabian RussJacques Ammon
Federico Albanese

Federico Albanese

Federico Albanese combines within his compositions minimalistic piano melodies, string arrangements and electronica. With his music the Berliner-by-choice, who was born in 1982, takes his audience in cinematic worlds of different sounds, which are based on elements of classic, pop and ambient music. The diverse musical influences in his compositions also reflect his great passion to music.

In his childhood Federico practiced the piano and clarinet, whereas as an adolescent he focused on playing the guitar, with which he could establish as a leading protagonist in the underground scene of Milan after studying contrabass. In 2007 he founded the avant-garde-duo "La Blanche Alchimie" with his girlfriend, the singer-songwriter Jessica Einaudi. With this duo he released three albums, could reach international attention and prospered. Also as a composer for advertisements, film and television he could achieve a major success. His scores got used for example in the international film production "Shadows In The Distance" (2012), "Alles im grünen Bereich" (2014) or the documentary "Cinema Perverso" (2015) of the television broadcaster ARTE.
Federico’s debut album as an solo-pianist got released in 2014, titled as "The Houseboat and the Moon". In his new release "The Blue Hour" in 2016 he presents crisp, very dynamic and complexly arranged compositions.

Photo: Beniamino Barrese

More releases

Matthew Herbert

Matthew Herbert

Matthew Herbert is a prolific and accomplished musician, artist, producer and writer whose range of innovative works extends from numerous albums (including the much-celebrated Bodily Functions or The Shakes) to Ivor Novello nominated film scores (Life in a Day) as well as music for the theatre, Broadway, TV, games and radio.
Born in 1972 and educated at Exeter University, Matthew Herbert may have overseen production duties for artists such as Roisin Murphy, Micachu, Merz, Hejira and Rowdy Superstar whilst re-mixing over 200 artists (ranging from Quincy Jones, REM and Serge Gainsbourg to Bjork and Mahler) but it is for the extraordinary range of his work as an artist and sound innovator that he is best known. He has performed solo, as a DJ and with various musicians including his own 18 piece big band all round the world from the Sydney opera house to the Hollywood Bowl and created installations, plays and opera. His most celebrated work ONE PIG followed the life of a pig from birth to plate and beyond. He is relaunching an online Museum of Sound and is the creative director of the new Radiophonic Workshop for the BBC. His debut play The Hush was performed at the National Theatre, his debut opera The Crackle at the Royal Opera House and he continues to work on projects for the screen as well as the stage. He is currently finishing his debut book called The Music for the publisher Unbound.

More releases

Francesco Tristano

Francesco Tristano

“Music is music”. This is what Alban Berg responded to George Gershwin in Paris during the spring of 1928, as to why there was no distinction between what we consider “educated” music and “popular” music. Francesco Tristano has endorsed this quote over the last decade with his work; combining piano and synthesizer, between the scores of Johann Sebastian Bach – and also Frescobaldi, Berio, Buxtehude, Stravinsky, and Gershwin, among others – and the latest production and sequencing tools. The differences between a piano recital – or a classical score – and a techno track are very noticeable, however, whether it is written on paper, uploaded to a computer or improvised live; music is music regardless of its style; electronic or baroque, dance or avant-garde.

More releases

Deutsches Kammerorchester Berlin

Deutsches Kammerorchester Berlin

The German Chamber Orchestra of Berlin was founded in the autumn of 1989 in the spirit of German reunifi cation. In the more than 25 years of its existence it has established itself as a core player on the Berlin music and arts scene. Having recently undergone a rejuvenation of its membership, it now
refl ects the atmosphere of modern-day Berlin under the artistic director and fi rst concertmaster Gabriel Adorján: musicians from both sides of the formerly divided city have joined together with international colleagues to form an ensemble which has a loyal following thanks to its enthusiasm for the new and its commitment to music. The DKO’s repertoire ranges from works of the Baroque through to contemporary compositions, with the classical canon forming the core and contemporary works offering a stimulating contrast. One of the orchestra’s concerns is to attract attention to works at the edge of the traditional concert repertoire spectrum. Conductors such as Markus Poschner, Christian Jost, Michael Helmrath, Philippe Jordan and Simon Halsey have all taken the rostrum to direct the DKO. Internationally renowned guest soloists have included Daniel Hope, Nigel Kennedy, Ben Becker, Lucas und Arthur Jussen, Anna Prohaska, Martin Helmchen, Avi Avital, Maximilian Hornung, Asya Fateyeva, Matthias Kirschnereit, David Orlowsky and Baiba Skride. The orchestra has recorded CDs, among others, for the Deutsche Grammophon label featuring Daniel Hope, Albrecht Mayer, the Radio Choir of Berlin and also with Liv Migdal and Annika Treutler.

Get to the homepage of the German Chamber Orchestra https://dko-berlin.de/

More releases

Pascal Schumacher

Pascal Schumacher

Pascal studied classical percussion, jazz vibraphone and musicology at music conservatories in Luxembourg, Strasbourg, Brussels and The Hague. He holds a Master’s Degree in musicology from the Marc Bloch University in Strasbourg, and another in music with a focus on jazz vibraphone from the Koninklijk Conservatorium in The Hague. He has won many awards, including the Belgian Django d’Or (2005), Music:LX (2012), ECHO Jazz (2012), JTI Trier Jazz (2014), was selected for the Rising Stars program organized by the European Concert Hall Organization (2009 / 10) and appeared as soloist in ECHO Klassik 2017 awarded project Überbach.

He played with many of exciting musicians such Francesco Tristano, Bachar Mar-Khalifé, Jef Neve, Kenny Barron & Magic Malik, wrote music for theater and film and leaded a jazz quartet. Today he mixes emotional classical music with minimal electronic sounds, although Schumacher himself considers each classification obsolete. To him, music is a single, limitless playground.

2018 also marked a new beginning for Pascal Schumacher, who upon invitation to play at Jazz & The City Festival In Salzburg, started to develop his own solo material. The experience opened up an entirely new path for the composer culminating in his debut solo album, SOL. SOL captures Schumacher’s newfound passion for solitude in all its magnetism all the while remaining true to the main characteristic of his relationship with the vibraphone; intimacy. SOL has ben released via Neue Meister in June 2020.

Pascal is a Yamaha Artist and a Professor for Jazz and Classical Percussion at the Conservatoire de Musique de Luxembourg. - He is the Artistic Director of the innovative 'Reset' Music Festival at Abbaye Neimenster and an Ambassador for SOS Children's Villages International - Luxembourg.

More releases

Fabian Russ

Fabian Russ

Fabian Russ, who took private lessons in composition from Thomas Hertel, works as a composer and “orchestronics” practitioner at the interface between classical and electronic music. His focus is on classical-electronic hybrids whose composite form he has been researching for years by the use of a sampling technique he developed himself. Russ has long worked closely with Radialsystem V and the PODIUM Festival. Since 2013 he has been working intensively with composer Tim Jäkel on merging large symphony orchestras with electronics. Their works were chosen to open the Weimar Kunstfest in 2015. Russ’s work colleagues include Carlo Grippa (Tonmeister), Folkert Uhde, Steven Walter, Christian Kellersmann, Albrecht Mayer, Andreas Scholl, Midori Seiler, Robert Gwisdek (as Käptn Peng), Frieder Weiss, Neue Meister (EDEL). In recent years he has taken part in numerous opening ceremonies, such as the 2014 Biennale Klangbasel, the 2015 opening of the Montforthaus in the Vorarlberg and the 2016 reopening of the Old Masters collection at the Hamburg Kunsthalle

More releases

Jacques Ammon

Jacques Ammon

Pianist Jacques Ammon, born in Santiago in Chile and from German-Chilean descent, debuted into international recognition with his successes in the international Claudio Arrau Pianocompetition in 1989. Since then he has given many concerts as both soloist and chamber musician in renowned concert halls in Germany and abroad, and has been a regular guest at classical music festivals such as the „Schleswig-Holstein Musikfestival“, the „Festspiele Mecklenburg-Vorpommern“ and the „Rheingau Musikfestival“.

Internationally, Jacques Ammon has performed in many countries, including Austria (Wiener Konzerthaus), France (Chatelet Paris), the Netherlands (Concertgebouw Amsterdam), Great Britain (Wigmore Hall), Spain (Palau de la Musica), Italy (Borciani-Festival), and Belgium, Finland, Poland, Russia, Japan, Chile, Argentina and the USA. Many of his concerts have been documented by broadcasting companies such as Radio France, BBC London, RBB, NDR, DWR, BR and WDR.

On invitation of the ensemble „The 12 Cellists of the Berlin Philarmonica“ Jacques Ammon got the opportunity to be a musical advisor and arranger for a record (EMI), which in turn got a Grammy nomination and became the winner of the Echo Award. Back in 1996, Jacques Ammon and cellist Eckart Runge founded their ensemble „Runge&Ammon“. In 2020 they signed exclusively with the label Berlin Classics/Edel and subsequently released three records there. Several other records were also released with the labels Ars Musici and Genuin Classics. The duo Runge&Ammon celebrate their 25-year anniversary in 2021; these long and intensive years of working together have brought them many opportunities worldwide. Jacques Ammon is also in close collaboration with violinist Daniel Hope, which has borne fruits that are shown through his participation in numerous recordings for Deutsche Grammophon and many other concerts and projects. In addition to his performing career, Jacques Ammon is also a part of the panels at international competitions and a passionate teacher at music festivals both in Germany and abroad. Some of these include the international chamber music masterclass Jeunesses Musicales in Weikersheim, the Akademie Hohenstaufen, the Hope Music Academy in Schloß Neuhardenberg, the Kronberg Academy, the Krzyzowa Music Festival in Poland, and the Queen Elisabeth Music Kabel in Belgium.

Photo: Nikolaj Lund

More releases

www.neue-meister-music.com